Honoré Daumier | The Third-Class Carriage | The Metropolitan Museum of Art (2024)

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Crop your artwork: Scan your QR code: Artwork Details Learn more about this artwork The Artist Project: Swoon Connections: Privilege Timeline of Art History Nineteenth-Century French Realism France, 1800-1900 A.D. Museum Publications Walker Evans Unfinished: Thoughts Left Visible The Metropolitan Museum of Art: Masterpiece Paintings The Metropolitan Museum of Art. Vol. 7, Europe in the Age of Enlightenment and Revolution The Metropolitan Museum of Art Guide (Spanish) The Metropolitan Museum of Art Guide (Russian) The Metropolitan Museum of Art Guide (Portuguese) The Metropolitan Museum of Art Guide (Korean) The Metropolitan Museum of Art Guide (Japanese) The Metropolitan Museum of Art Guide (Italian) The Metropolitan Museum of Art Guide (German) The Metropolitan Museum of Art Guide (French) The Metropolitan Museum of Art Guide (Chinese) The Metropolitan Museum of Art Guide (Arabic) The Metropolitan Museum of Art Guide The Metropolitan Museum of Art Guide The Metropolitan Museum of Art Guide The Artist Project: What Artists See When They Look At Art The Artist Project Splendid Legacy: The Havemeyer Collection One Met. Many Worlds. Masterpieces of The Metropolitan Museum of Art Masterpieces of The Metropolitan Museum of Art Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue Daumier Drawings Art = Discovering Infinite Connections in Art History A Concise Catalogue of the European Paintings in the Metropolitan Museum of Art "The Wet Nurse in Daumier's*Third-Class Carriage*" Related Artworks The New Oedipus before the New Sphinx (Le nouvel Œdipe devant le nouveau Sphinx), from Actualités Standing Figure of a Man with a Staff Album Chaos Caricature de tout le monde La Mort de Sapho, from Histoire Ancienne, published in Le Charivari, January 4, 1843 Rifolard ouvre le bal. . . Resources for Research Feedback European Paintings at The Met FAQs

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Honoré Daumier French

On view at The Met Fifth Avenue in Gallery 802

As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a finished oil painting (National Gallery of Canada, Ottawa).

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Honoré Daumier | The Third-Class Carriage | The Metropolitan Museum of Art (4)

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Fig. 1. Honoré Daumier, "The Third-Class Carriage," ca. 1863–65, oil on canvas, 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm). National Gallery of Canada, Ottawa, Purchased 1946, no. 4633. Photo © National Gallery of Canada

Honoré Daumier | The Third-Class Carriage | The Metropolitan Museum of Art (9)

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Fig. 2. Honoré Daumier, "The Third-Class Carriage," 1864, watercolor, ink wash, and charcoal on slightly textured, moderately thick, cream laid paper, 8 x 11 5/8 in. (20.3 x 29.5 cm). Walters Art Museum, Baltimore, 37.122

Artwork Details

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Title: The Third-Class Carriage

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

Date: 1864

Medium: Oil on canvas

Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)

Classification: Paintings

Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number: 29.100.129

Learn more about this artwork

The Artist Project: Swoon

Artist Swoon reflects on Honoré Daumier's The Third-Class Carriage in this episode of The Artist Project.

Connections: Privilege

Art preparator Theresa King-Dickinson ruminates on the universal privilege of art appreciation.

Timeline of Art History

Essay

Nineteenth-Century French Realism

Chronology

France, 1800-1900 A.D.

Museum Publications

Walker Evans

Unfinished: Thoughts Left Visible

The Metropolitan Museum of Art: Masterpiece Paintings

The Metropolitan Museum of Art. Vol. 7, Europe in the Age of Enlightenment and Revolution

The Metropolitan Museum of Art Guide (Spanish)

The Metropolitan Museum of Art Guide (Russian)

The Metropolitan Museum of Art Guide (Portuguese)

The Metropolitan Museum of Art Guide (Korean)

The Metropolitan Museum of Art Guide (Japanese)

The Metropolitan Museum of Art Guide (Italian)

The Metropolitan Museum of Art Guide (German)

The Metropolitan Museum of Art Guide (French)

The Metropolitan Museum of Art Guide (Chinese)

The Metropolitan Museum of Art Guide (Arabic)

The Metropolitan Museum of Art Guide

The Metropolitan Museum of Art Guide

The Metropolitan Museum of Art Guide

The Artist Project: What Artists See When They Look At Art

The Artist Project

Splendid Legacy: The Havemeyer Collection

One Met. Many Worlds.

Masterpieces of The Metropolitan Museum of Art

Masterpieces of The Metropolitan Museum of Art

Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art

French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century

European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue

Daumier Drawings

Art = Discovering Infinite Connections in Art History

A Concise Catalogue of the European Paintings in the Metropolitan Museum of Art

"The Wet Nurse in Daumier's*Third-Class Carriage*"

See more

Related Artworks

  • All Related Artworks
  • In the same gallery
  • By Honoré Daumier
  • European Paintings
  • Canvas
  • Oil paint
  • Paintings
  • From Europe
  • From France
  • From A.D. 1800–1900

The New Oedipus before the New Sphinx (Le nouvel Œdipe devant le nouveau Sphinx), from Actualités

Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

1851

Standing Figure of a Man with a Staff

Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

1825–79

Album Chaos Caricature de tout le monde

Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

[1840]

La Mort de Sapho, from Histoire Ancienne, published in Le Charivari, January 4, 1843

Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

January 4, 1843

Rifolard ouvre le bal. . .

Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

November 21, 1848

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Honoré Daumier | The Third-Class Carriage | The Metropolitan Museum of Art (2024)

FAQs

How many paintings did Honore Daumier make? ›

Daumier produced over 500 paintings, 4000 lithographs, 1000 wood engravings, 1000 drawings and 100 sculptures.

How did Honoré Daumier use his art to bring attention to important issues of his time? ›

Answer. Honoré Daumier used his art to bring attention to important issues of his time by creating satirical and critical illustrations that targeted social and political injustices. His work often depicted the struggles of the lower classes, corruption in government, and the hypocrisy of the ruling elite.

What is the largest art museum in New York City? ›

The Metropolitan Museum of Art is one of the world's largest and finest art museums. Its collection spans 5,000 years of world culture, from prehistory to the present and from every part of the globe.

Was Honore Daumier a realist? ›

Honoré Daumier's career was one of the most unusual in the history of nineteenth-century art. Famous in his time as France's best-known caricaturist, he remained unrecognized in his actual stature--as one of the period's most profoundly original and wide-ranging realists.

What is Daumier best known for? ›

Honoré Daumier was a French painter and printmaker best known for his caricatures critiquing and satirizing society and politics in 19th-century France. His two most famous characters were the bourgeois Robert Macaire and the evil Ratapoil, each depicted with grotesquely exaggerated features.

What were the quotes from Honore Daumier? ›

"One must be of one's own time." "Freedom and justice for all are infinitely more to be desired than pedestals for a few." "The burdens of a woman are more than the average man could ever endure."

What modern printmaking technique did Daumier use? ›

The print is a lithograph—it used limestone and oil-based inks to create light and shadow similar to drawing or painting. Daumier experimented with this technique as a young teenager and later held a job working for a printmaker.

Which artist during their lifetime would create approximately 5000 prints, 500 paintings, and 100 sculptures? ›

Final answer: Honoré Daumier is the artist who created approximately 5,000 prints, 500 paintings, and 100 sculptures during their lifetime.

What is the #1 museum in NYC? ›

The Metropolitan Museum of Art.

What is the most visited art museum in New York? ›

The Metropolitan Museum of Art (MET) is the largest museum in New York and also the most-visited. Discover its art collections and its masterpieces.

Was Honore Daumier an impressionist? ›

Daumier's working life was divided into two parts: from 1830 to 1847 he was a lithographer, cartoonist, and sculptor; and, beginning in 1848 and lasting until 1871, he was an Impressionist painter whose art was reflected in the lithographs he continued to produce.

How did Honore Daumier use his art to bring attention to important issues of his time? ›

By the 1830s, for example, Daumier used his images to critique corrupt political regimes elsewhere in Europe but also in France, In fact, his scathing renderings of French Emperor Louis Phillipe were so controversial that they landed the artist in jail.

What did the work of Honore Daumier focus on? ›

Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870.

How many paintings did Jean Honore Fragonard make? ›

As one of the most prolific artists of his generation, Fragonard went on to produce more than 550 paintings, not to mention countless drawings and etchings which he rarely dated, many can be found in Europeana.

Who has the largest collection of Renoir paintings? ›

The Barnes collection has the world's largest holdings of paintings by Renoir (179) and Cézanne (69), as well as significant works by Matisse, Picasso, Modigliani, Van Gogh, and other renowned artists.

How many artworks did Gustav Klimt make? ›

Gustav Klimt - 169 artworks - painting.

Which artist is best known for his paintings of peasant life in the 1560s? ›

Pieter Bruegel, the Elder (born c. 1525, probably Breda, duchy of Brabant [now in the Netherlands]—died Sept. 5/9, 1569, Brussels [now in Belgium]) was the greatest Flemish painter of the 16th century, whose landscapes and vigorous, often witty scenes of peasant life are particularly renowned.

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